Collections

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  Founded by Camilla Schram, who spent a decade running a cleaning business before developing her own products. The name is built from the three closest to her in 2016 — her daughter, her partner, and her dog — hidden inside a single word.

  HUMDAKIN

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  Founded in 1839 in Næstved by the Dutch potter Herman J. Kähler, who threw the first Kähler vase in a small workshop. It was his son, Herman A. Kähler, who took over in 1875 and turned it into the ceramic house the name is now known for.

  KAHLER

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  Trained as a silversmith under Georg Jensen himself, starting in 1907. His most famous wooden pieces began as function first — the now-iconic monkey was originally a coat rack, its long arms designed to bring a hook down to a child's height. His granddaughter, Sus Bojesen Rosenqvist, later revived the archive and still oversees the designs today.

  KAY BOJESEN

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  Founded in 2012 by graphic designer Kristina Dam, who studied at the Royal Academy of Art and Architecture and sold her own work at markets from age 12. The studio began with a series of limited-edition art prints before expanding into furniture and objects, always working in a near-monochrome palette of steel, oak, and stone.

  KRISTINA DAM

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  Pieces with warmth.

  Light changes how a room feels, but also how we feel within it. Bright enough to wake us in the morning. Low enough to let the day begin to disappear. A lamp left on for reading long after the rest of the room has gone dark. Sometimes light is there to help us see. Sometimes it is simply there to change how we feel.

  LIGHTING

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  Founded in 1936 in Kongens Lyngby. Early Danish porcelain design was judged on its decoration; Lyngby's own shift toward pure, undecorated form came directly from the functionalist Bauhaus movement crossing over from Germany — a turn that still defines the brand's minimalism today.

  LYNGBY PORCELAEN

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  Founded in 2015 by Nikolaj Meier and Knut Bendik Humlevik, out of a desire to build a design house with room for experimentation. Materials are chosen for their original roughness left intact — the strength of marble, the warmth of oak — retained rather than smoothed away.

  NEW WORKS

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  Rooms without walls. 

  Outside, things loosen a little. A chair moves with the sun. Lunch stays on the table longer than expected. Materials weather, surfaces change, and nothing needs to remain quite as pristine. The best outdoor spaces aren't furnished like interiors. They simply give us another place to be.

  OUTDOOR